Center for the Arts Gallery, 1st Floor.
Clockwise from front: Bridget Moser, When I Am Through With You There Won’t Be Anything Left, 2021; Eglė Budvytytė, Songs from the Compost: Mutating Bodies, Imploding Stars, 2020; Lynne Marsh, Atlas_Gustine, 2021; Lucas Michael, HERONABOAD and The hand that whirls the water in the pool, 2021. Image courtesy of University at Buffalo Art Galleries; photo: Biff Henrich/IMG-INK.
Center for the Arts Gallery, 1st Floor.
Left to right: Eglė Budvytytė, Songs from the Compost: Mutating Bodies, Imploding Stars, 2020; Lynne Marsh, Atlas_Ryan, 2021; Rodney McMillian, Untitled (Entrails), 2019–2020; Lynne Marsh, Atlas_Gustine (detail), 2021. Image courtesy of University at Buffalo Art Galleries; photo: Biff Henrich/IMG-INK.
Center for the Arts Gallery, 1st Floor.
Left to right: Lynne Marsh, Atlas_Ryan, 2021; Rodney McMillian, Untitled (Entrails), 2019–2020; Lynne Marsh, Atlas_Gustine, 2021; Lucas Michael, HERONABOAD and The hand that whirls the water in the pool, 2021. Image courtesy of University at Buffalo Art Galleries; photo: Biff Henrich/IMG-INK.
Center for the Arts Gallery, 1st Floor.
Left to right: Rodney McMillian, Untitled (Entrails), 2019–2020; Lynne Marsh, Atlas_Gustine (detail), 2021; Lucas Michael, HERONABOAD and The hand that whirls the water in the pool, 2021. Image courtesy of University at Buffalo Art Galleries; photo: Biff Henrich/IMG-INK.
Center for the Arts Gallery.
Rodney McMillian, Untitled (Entrails), 2019–2020. Image courtesy of University at Buffalo Art Galleries; photo: Biff Henrich/IMG-INK.
Center for the Arts Gallery, 2nd Floor.
Front, left to right: Slinko, Economy of Means, 2022; Lynne Marsh, Atlas_Abriel (detail), 2021. Middle, left to right: Berenice Olmedo, Akro-Bainein, 2020; Lucas Michael, Is As Is Is, 2018–2021 and Illusory Truth Effect, 2019–2021. Back, left to right: Lynne Marsh, Atlas_Jobel, 2021; Rodney McMillian, Untitled (Entrails) (detail), 2019–2020; Lynne Marsh, Atlas_Cecilia, 2021. Image courtesy of University at Buffalo Art Galleries; photo: Biff Henrich/IMG-INK.
Center for the Arts Gallery, 2nd Floor.
Clockwise, from left: Jean-Charles de Quillacq, Souple ment, 2022; Lynne Marsh, Atlas_Jobel and Atlas_Cecilia, 2021; Lucas Michael, Is As Is Is, 2018–2021 and Illusory Truth Effect, 2019–2021; Berenice Olmedo, Akro-Bainein, 2020. Image courtesy of University at Buffalo Art Galleries; photo: Biff Henrich/IMG-INK.
Center for the Arts Gallery, 2nd Floor.
Left to right: Lynne Marsh, Atlas_Cecilia (detail), 2021; Lucas Michael, Is As Is Is, 2018–2021 and Illusory Truth Effect, 2019–2021; Berenice Olmedo, Akro-Bainein, 2020; Lynne Marsh, Atlas_Abriel, 2021. Image courtesy of University at Buffalo Art Galleries; photo: Biff Henrich/IMG-INK.
Jayne Wilkinson, “I don’t know you like that: The Bodywork of Hospitality,” C Magazine 154, Spring 2023, 78-79.
Gregory Volk, “What is Hospitality in an Era of Crisis?” Hyperallergic, February 16, 2023.
Alberto Rey, “Investigating Global Issued Related to the Body: UB galleries host international exhibition,” Buffalo Spree, December 14, 2022.
Sean J Patrick Carney, “When Angels Deserve to Die: An Interview with Bridget Moser,”Glasstire.com, December 11, 2022.
Meret Kelsey, “UB Art Galleries’ latest exhibition explores the absurdities of the human body,” UB Spectrum, November 17, 2022.
Image courtesy of University at Buffalo Art Galleries; photo: Biff Henrich/IMG-INK.
Center for the Arts Gallery, 1st Floor.
Clockwise from front: Bridget Moser, When I Am Through With You There Won’t Be Anything Left, 2021; Eglė Budvytytė, Songs from the Compost: Mutating Bodies, Imploding Stars, 2020; Lynne Marsh, Atlas_Gustine, 2021; Lucas Michael, HERONABOAD and The hand that whirls the water in the pool, 2021. Image courtesy of University at Buffalo Art Galleries; photo: Biff Henrich/IMG-INK.
Center for the Arts Gallery, 1st Floor.
Left to right: Eglė Budvytytė, Songs from the Compost: Mutating Bodies, Imploding Stars, 2020; Lynne Marsh, Atlas_Ryan, 2021; Rodney McMillian, Untitled (Entrails), 2019–2020; Lynne Marsh, Atlas_Gustine (detail), 2021. Image courtesy of University at Buffalo Art Galleries; photo: Biff Henrich/IMG-INK.
Center for the Arts Gallery, 1st Floor.
Left to right: Lynne Marsh, Atlas_Ryan, 2021; Rodney McMillian, Untitled (Entrails), 2019–2020; Lynne Marsh, Atlas_Gustine, 2021; Lucas Michael, HERONABOAD and The hand that whirls the water in the pool, 2021. Image courtesy of University at Buffalo Art Galleries; photo: Biff Henrich/IMG-INK.
Center for the Arts Gallery, 1st Floor.
Left to right: Rodney McMillian, Untitled (Entrails), 2019–2020; Lynne Marsh, Atlas_Gustine (detail), 2021; Lucas Michael, HERONABOAD and The hand that whirls the water in the pool, 2021. Image courtesy of University at Buffalo Art Galleries; photo: Biff Henrich/IMG-INK.
Center for the Arts Gallery.
Rodney McMillian, Untitled (Entrails), 2019–2020. Image courtesy of University at Buffalo Art Galleries; photo: Biff Henrich/IMG-INK.
Center for the Arts Gallery, 2nd Floor.
Front, left to right: Slinko, Economy of Means, 2022; Lynne Marsh, Atlas_Abriel (detail), 2021. Middle, left to right: Berenice Olmedo, Akro-Bainein, 2020; Lucas Michael, Is As Is Is, 2018–2021 and Illusory Truth Effect, 2019–2021. Back, left to right: Lynne Marsh, Atlas_Jobel, 2021; Rodney McMillian, Untitled (Entrails) (detail), 2019–2020; Lynne Marsh, Atlas_Cecilia, 2021. Image courtesy of University at Buffalo Art Galleries; photo: Biff Henrich/IMG-INK.
Center for the Arts Gallery, 2nd Floor.
Clockwise, from left: Jean-Charles de Quillacq, Souple ment, 2022; Lynne Marsh, Atlas_Jobel and Atlas_Cecilia, 2021; Lucas Michael, Is As Is Is, 2018–2021 and Illusory Truth Effect, 2019–2021; Berenice Olmedo, Akro-Bainein, 2020. Image courtesy of University at Buffalo Art Galleries; photo: Biff Henrich/IMG-INK.
Center for the Arts Gallery, 2nd Floor.
Left to right: Lynne Marsh, Atlas_Cecilia (detail), 2021; Lucas Michael, Is As Is Is, 2018–2021 and Illusory Truth Effect, 2019–2021; Berenice Olmedo, Akro-Bainein, 2020; Lynne Marsh, Atlas_Abriel, 2021. Image courtesy of University at Buffalo Art Galleries; photo: Biff Henrich/IMG-INK.
Jayne Wilkinson, “I don’t know you like that: The Bodywork of Hospitality,” C Magazine 154, Spring 2023, 78-79.
Gregory Volk, “What is Hospitality in an Era of Crisis?” Hyperallergic, February 16, 2023.
Alberto Rey, “Investigating Global Issued Related to the Body: UB galleries host international exhibition,” Buffalo Spree, December 14, 2022.
Sean J Patrick Carney, “When Angels Deserve to Die: An Interview with Bridget Moser,”Glasstire.com, December 11, 2022.
Meret Kelsey, “UB Art Galleries’ latest exhibition explores the absurdities of the human body,” UB Spectrum, November 17, 2022.
Image courtesy of University at Buffalo Art Galleries; photo: Biff Henrich/IMG-INK.