Bemis Center for Contemporary Arts, Center Space.
Front to back: Francis Upritchard, Vivian, 2017; Jenna Sutela, Holobiont, 2018. Image courtesy of Bemis Center for Contemporary Arts; photo: Colin Conces.
Jenna Sutela, Holobiont, 2018, single-channel video installation with sound, installation dimensions variable; video: 10:27 minutes, courtesy of the artist; Installation view, I don’t know you like that: The Bodywork of Hospitality, Bemis Center for Contemporary Arts, 2021. Image courtesy of Bemis Center for Contemporary Arts; photo: Colin Conces.
Bemis Center for Contemporary Arts, Gallery 1.
Left to right: Berenice Olmedo, Akro-Bainein, 2020; Rodney McMillian, Cell I, 2017–2020; Mounir Fatmi, The Blinding Light 08, 2013–2017; Francis Upritchard, Desert Hippie, 2018; Mounir Fatmi, The Blinding Light 05, 2013–2017; Rodney McMillian, Mississippi Appendectomy, 2020. Image courtesy of Bemis Center for Contemporary Arts; photo: Colin Conces.
Bemis Center for Contemporary Arts, Gallery 1.
Left to right: Stephanie Dinkins, Conversations with Bina48: Fragment 11, Fourth Mirror, 2018; Francis Upritchard, Desert Hippie, 2018; Rodney McMillian, Mississippi Appendectomy, 2020. Image courtesy of Bemis Center for Contemporary Arts; photo: Colin Conces.
Bemis Center for Contemporary Arts, Gallery 2.
Left to right: Rodney McMillian, Untitled (Entrails), 2019–2020; Francis Upritchard, Liar, 2012. Image courtesy of Bemis Center for Contemporary Arts; photo: Colin Conces.
Bemis Center for Contemporary Arts, Gallery 2
Ingrid Bachmann, The Gift, 2015, single-channel video with sound, 19:01 minutes, courtesy of the artist and Art Mûr, Montreal. Image courtesy of Bemis Center for Contemporary Arts; photo: Colin Conces.
Bemis Center for Contemporary Arts, Presentation Space.
Bridget Moser, When I’m Through With You There Won’t Be Anything Left, 2021. Multimedia installation. Dimensions variable. Image courtesy of Bemis Center for Contemporary Arts; photo: Colin Conces.
Christina Nafziger, “Approaches and Strategies within Hospitality: An Interview with Sylvie Fortin,” SixtyInchesFromCenter.org, June 30, 2022
Christina Nafziger, “Review: I don’t know you like that: The Bodywork of Hospitality,”SixtyInchesFromCenter.org, June 30, 2022.
Frieze Editors, “Shows to See in the US this March,” Frieze, March 18, 2022
“Talk Report — Manuela Moscoso," Curtain: The Artpool Magazine, March 2, 2022.
Travis Diehl, “’The Bodywork of Hospitality' Sees Communal Care as a Civic Obligation,” Frieze, February 28, 2022.
Jonathan Orozco, "Interview with Celina Eceiza on 'I don’t know you like that: The Bodywork of Hospitality’,"Whitehot Magazine, February 28, 2022.
Jonathan Orozco, "I don’t know you like that,” The Reader February 25, 2022.
Image courtesy of Bemis Center for Contemporary Arts; photo: Colin Conces.
Bemis Center for Contemporary Arts, Center Space.
Front to back: Francis Upritchard, Vivian, 2017; Jenna Sutela, Holobiont, 2018. Image courtesy of Bemis Center for Contemporary Arts; photo: Colin Conces.
Jenna Sutela, Holobiont, 2018, single-channel video installation with sound, installation dimensions variable; video: 10:27 minutes, courtesy of the artist; Installation view, I don’t know you like that: The Bodywork of Hospitality, Bemis Center for Contemporary Arts, 2021. Image courtesy of Bemis Center for Contemporary Arts; photo: Colin Conces.
Bemis Center for Contemporary Arts, Gallery 1.
Left to right: Berenice Olmedo, Akro-Bainein, 2020; Rodney McMillian, Cell I, 2017–2020; Mounir Fatmi, The Blinding Light 08, 2013–2017; Francis Upritchard, Desert Hippie, 2018; Mounir Fatmi, The Blinding Light 05, 2013–2017; Rodney McMillian, Mississippi Appendectomy, 2020. Image courtesy of Bemis Center for Contemporary Arts; photo: Colin Conces.
Bemis Center for Contemporary Arts, Gallery 1.
Left to right: Stephanie Dinkins, Conversations with Bina48: Fragment 11, Fourth Mirror, 2018; Francis Upritchard, Desert Hippie, 2018; Rodney McMillian, Mississippi Appendectomy, 2020. Image courtesy of Bemis Center for Contemporary Arts; photo: Colin Conces.
Bemis Center for Contemporary Arts, Gallery 2.
Left to right: Rodney McMillian, Untitled (Entrails), 2019–2020; Francis Upritchard, Liar, 2012. Image courtesy of Bemis Center for Contemporary Arts; photo: Colin Conces.
Bemis Center for Contemporary Arts, Gallery 2
Ingrid Bachmann, The Gift, 2015, single-channel video with sound, 19:01 minutes, courtesy of the artist and Art Mûr, Montreal. Image courtesy of Bemis Center for Contemporary Arts; photo: Colin Conces.
Bemis Center for Contemporary Arts, Presentation Space.
Bridget Moser, When I’m Through With You There Won’t Be Anything Left, 2021. Multimedia installation. Dimensions variable. Image courtesy of Bemis Center for Contemporary Arts; photo: Colin Conces.
Christina Nafziger, “Approaches and Strategies within Hospitality: An Interview with Sylvie Fortin,” SixtyInchesFromCenter.org, June 30, 2022
Christina Nafziger, “Review: I don’t know you like that: The Bodywork of Hospitality,”SixtyInchesFromCenter.org, June 30, 2022.
Frieze Editors, “Shows to See in the US this March,” Frieze, March 18, 2022
“Talk Report — Manuela Moscoso," Curtain: The Artpool Magazine, March 2, 2022.
Travis Diehl, “’The Bodywork of Hospitality' Sees Communal Care as a Civic Obligation,” Frieze, February 28, 2022.
Jonathan Orozco, "Interview with Celina Eceiza on 'I don’t know you like that: The Bodywork of Hospitality’,"Whitehot Magazine, February 28, 2022.
Jonathan Orozco, "I don’t know you like that,” The Reader February 25, 2022.
Image courtesy of Bemis Center for Contemporary Arts; photo: Colin Conces.